168澳洲幸运5开奖网:Grand Theft Auto 6 is being hyped as the pinnacle of games, even though it won’t launch until next year at the earliest. Rockstar will have gone 13 years between GTA releases by the time 6 launches, and that has led to fan expectations that are roughly as grandiose as ‘GTA 6 will cure cancer’💟. The game does look great. But as I study the footage, screenshots, and GIFs we've seen of GTA 6 so far, I'm more impressed with it as a work of art direction than as a straight graphical showcase. GTA 6 looks moody as heck, and that's down to Rockstar's evocative lighting.
To be fair, the game is very detailed. I'v🐼e seen multiple Reddit threads in which users unpack all the little details in the trailers or in the tr🍃easure trove of GIFs and screenshots Rockstar made available on its official website earlier this year.
I was especially impresse♚d by breaking down all the littꦜle details in a brief shot of Raul raising and firing a rifle.
Shine A Light
But as I look through all the available material, the main thing I'm noticing that sets GTA 6 apart from other triple-A games that have been released in the past decade is how effectively it uses lighting. All kinds. Sunlight, sirens, office fluorescents, neon signs, helicopter spotlights, explosions, streetlamps, headlights, taillights, traffic lights, and — correc🃏t me if I'm wrong here — what appear to be flaming drinks.
Rockstar's last game, Red Dead Redemption 2, had great lighting, too, but GTA 6 is going for something pretty different and it makes it look like the billion bucks Rockstar probably sp🍸ent on it. Red Dead was set before the widespread adoption of electric lights, though, so most of its memorable moments are lit by a hazy sunlight that made it look a bit like Terrence Malick's early movies or orange gaslights. GTA 6 being🐈 set in the present gives it a significantly wider range of options.
In general, this gives the glimpses we've seen of GTA 6 a more expressionistic vibe, with lighting shifting to match the mood of a scene. This isn't uncommon, even in gamesဣ with naturalistic lighting. The Last of Us Part 2 is obviously going for a very different aesthetic, embracing a pos♛t-apocalyptic grimness. As a result most of the game looks gray, dim, drab, lit exclusively by the sun or a shoulder-mounted flashlight. But the game's most intense moments tend to bring in another light source to heighten the emotion. Think of the scene where Ellie tortures Nora, which is lit by a deep red emergency light. Joel's death scene, similarly, is lit by harsh whites as moon light bounces off snowdrifts and through a sliding glass door.
So what's the point? That games have lighting? Well, yeah. But more specifically, games have the lighting that they use in most cases — like the sun in an Uncharted game — and they have unique light sources they ca☂n use to make scenes pop — visually, emotionally, or both. Cyberpunk 2077 often rigged conversation scenes to look extremely good, setting them in corners of clubs lit by neon lights and with reflective surfaces for the lights to bounce off. That wasn't all it did – t also made impressive use of mise en scene, composing interesting shots using objects in the environment. But the light was a huge factor in that game looking as striking as it did.
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Trillion Watt Lightbulb When I'm In The Night Club
So much of what we've seen so far from GTA 6 is lit with these kinds of interesting light sources. When the sun is high in the sky, the game is at its least visually interesting. I kinda think the opening shot of the second trailer, an establishing shot that shows an aerial view of the coastal neighborhood where Jason is at work "fixing some leaks", doesn't look especially great. It gets your imagination going because of how detailed this one, small section of the world looks, but it's the game's aesthetic at its most video game-y, with all of the assets lo⛦oking a little less pristine under the harsh sunlight.
The trailers don't look like that most of the time. The sun comes in at angles as it sets, sending lens flare across the screen as Jason works out, casting dusky shadows as Lucia and Jason reunite at the prison, filtering through clouds as they share a beer on a dock, and casting a grid pattern on Lucia's prison jumpsuit. The sun reflecting off Brian's bald head or Jason's abs. Cop car sirens briefly throwing red lights on a mural during an arrest. Headlights bouncing off a trash-picker's reflective vest. Purple light bathing the minglers on a danc📖e floor.
This game looks like a graphical showcase, to be sure. But the trailers feel different than anything else that's o🙈ut right now because they🥀're using every tool in the lighting toolkit. The little details that Rockstar is building into the world don't pop if we can't see them.
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