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168澳洲幸运5开奖网:Martha Is Dead offers a robust black-and-white photography system that allows you to freely use Giulia's 1940 Rolleicord camera. Several story objectives require you to shoot and develop specific photos, and there are a few shots that reveal creepy hidden details once developed.
Completing both infrared photo sets earns the Strength and Judgment achievements. To help you find these elusive pictures, we've listed all the game's photographic objectives, along with the camera settings needed to get the right exposure.
Since the game simulates 1940s film photography, you may need to use slightly different settings based on your exact position and lighting. When in doubt, look for the requirements on the left side of the camera interface - if any are not highlighted in red, something is off.
Required Photos
Sparrow
The game's tutorial photograph is taken in the garden just outside the family's house. Walk directly across to the wall overlooking the forest, and you'll see a sparrow. Get as close to the sparrow as you can (it won't fly away) and center it in your frame.
Use the default settings for exposure and aperture (1/60" and 6.5, respectively) and adjust the focus so that the red dial is set to 4 before taking the shot. The game will warn you if your settings are wrong before taking the picture, and you can keep trying until you take and develop a photograph corr🐈ectly.
Self-Portrait
After successfully developing the sparrow photo, leave the darkroom and turn left. Set the camera up on the tripod by the window and then sit in the chair next to it. While the timer is going, you'll be able to select a facial expression for the picture.
You don't need to adjust the camera settings at all - Giulia does this automatically while se🦄tting the timer. Once the picture is taken, retrieve the film from the camera a꧃nd return to the darkroom to develop the print.
Martha's Body
On the first night, after retrieving the flash and key from Erich's study, you can take a picture of Martha in her coffin. Equip the flash in the Extras panel and max out the exposure and aperture at 1/30" and 3.5. The focus should be just a hair under 4. The picture will be a little washed-out, but if you retriඣeve the (optional) blue filter from the darkroom before taking this photo, you can use it to coun൩teract this.
Defensive Line Map
As part of the partisans' storyline, you'll be asked to take a photo of the military map in Erich's study. Go upstairs and stand in front of the desk. If you're working toward the "Justice" achievement for taking a photo with every camera accessory, the Macro Lens and Blue Filter work well here. The focus will need to be about 3.5 if you choose to use these attachments.
The Lover's Ghost
On the misty morning after Martha's funeral, go to the small cemetery in the woods. It will be highlighted on your map; just take the first left and you'll find it. Set up the camera with the infrared lens and focus on the center grave.
Since it's early and foggy, set the aperture to 3.5 and the exposure to 1/30" to maximize light. The focus should be set at 10. You'll need to return home and develop the photo to retrieve the Lover's necklace.
The Horror In The Crypt
This entry contains spoilers
After witnessing the game's most shocking scene, you'll need to take a picture of the evidence you've found. Take a step back to make sure both Martha's face and the baby on her chest are in the frame. Use a 1/30" exposure and set the aperture to 5.6. Set the focus to 2.5, take thཧe sh💛ot, and leave this awful place behind.
Optional Photos
SS Helmet
During your first nighttime trek through the woods, you'll find a German helmet sitting on a log just after your first glimpse of the White Lady. Using the flash, you can use the same settings as Martha's body - 1/30" exposure, aperture at 3.5, and focus just under 4.
Red Fabric
After collecting the three cameras you left by the lakeside, you'll find a scrap of red fabric. This can be photographed without the flash thanks to the lantern nearby, but using the flash gives the shot slightly better clarity.
Use the same settings as the other photos from this chapter - 1/30" exposure, aperture at 3.5, and focus at or just under 4. Th💦e Blue Filter can also help with definition if you have it.
Tree Carving
Once you've developed the photos of Giulia's attempt to save Martha at the lake, go outside via the large doors in the basement. Near the woodpile you'll find a heart that Lapo has carved into a tree. Normal film will work fine here, but you'll get better definition if you use the 25 ISO film from Erich's study.
Open the aperture all the way to 3.5 but limit the exposure to about 1/85". If you're using a keyboard and mouse it can be tricky to get exact settings, but if you're off by a little it shouldn't matter. Set the focus to 10 and take the shot.
Infrared Riddle Photos
Once you get the infrared film and lens from the darkroom in the chapter "The Woods," you'll be able to take photos that reveal hidden images and messages. You need to develop each photograph successfully before the next one in the sequence will become available. Finding them all will earn you the "Strength" achievement.
The infrared riddle photos should be taken as soon as they become available, as the villa gates will close for a while after Martha's funeral. Shoot and develop these before following the raven in the chapter "The Burial." Otherwise, you'll have to wait until "The Graveyard" to complete this series.
Wine Casks
Immediately after getting the🍰 infrared attachments and developing the photos 🍨from the fateful day at the lake, look among the large wine barrels on the other side of the basement. Be sure to pick up the tripod next to the workbench on the way.
When in camera mode, equip the tripod and the infrared attachment. Set the aperture to 3.5 and use a 1/1" exposure. Lastly, set the focus to 10. You won't see anything when you take the photo, but when you develop it a hidden message will appear on the print.
Chapel
The clue from the first infrared photo talks about hiding "behind the light." Giulia wonders if it's referring to religion. Go to the chapel across the garden from the house and look on the far side, between the structure and the wall.
Set up your camera using the infrared gear and tripod - you may need to move closer to the target to get the shot. Setting the aperture to 4 will help offset the bright sunlight, and you'll need the exposure at about 1/185". With the focus between 10 and 20 you should be able to collect the next clue.
Crossroads
The second clue points you towards a crossroads. There is one just off the villa's property - getting there is easiest if you've unlocked the bicycle. The air pump needed to inflate the tire can be found in the foyer where you placed the flowers before Martha's wake, attached to Irene's bicycle. Repairing the bike also unlocks the achievement "The Chariot."
Head out through the villa's gate, past the chapel. When you arrive at the crossroads look ahead and to your right for the photo icon. The sunlight is bright here, so you'll need to reduce your exposure from the previous infrared shots; use a 1/100" exposure with the aperture at 5.5 and focus at 10.
Forest Bridge
The "bridge with little dignity" referenced by ✨the clue is in the woods, just uphill from the lake. From the spot where you found the red fabric while collecting the cameras on the first night, head up the path. You should see the camera icon just after the tiny bridge. As always for infrared shots, equip the IR lens first.
There's less sunlight in the woods, so use a 1/56" exposure. Set the aperture to 5.4 and the focus just above 10. You can get this photo quickly by ignoring the gunfight in the woods then ᩚᩚᩚᩚᩚᩚᩚᩚᩚ𒀱ᩚᩚᩚdoubling☂ back to the objective. You can even go home and develop it before continuing the story if you want.
Forest Brook
To find the place "where water splashes on water," go to the dead-end on the path south of the forest entrance. The quickest way is to turn right at every fork in the road. You should see the﷽ camera icon hovering over the brook when you hear water trickling.
For this infrared shot, keep the exposure at 1/30" and the aperture at 3.5, but bring the focus to 20 (but no higher). You'll need to get pretty close to the brook for the proper framing.
Red Flower Field
Take your bike out to the crossroads and turn left. At the end of the path you'll come to a field of red flowers with a cross. If you come here after finding Lapo's letter there will be an extra document to pick up here as well. You'll need the cross to be the main focus of the photo - it should almost fill the frame.
After attaching the infrared lens, you'll need to turn the exposure all the way down to 1/300" due to the bright sunlight Adjust the aperture to about 9.3 and set the focus to 9. If you're doing the partisans' quest at the same time, you can drop off the map photo at the building to your right on your way back.
Taking this photo correctly will complete the riddle quest chain, earning the "Strength" achievement. Once you develop this final photo, you can begin looking for opportunities to catch the White Lady on film for the "Judgment" achievement.
Photos Of The Lady
After completing and developing the riddle photos, you'll be able to take infrared shots at locations that were significant in the life of the White Lady. Except for the final photo, these are best taken during the chapter "The Graveyard" before entering the family crypt.
Ruined House
After developing the photo from the red flower field, go into the forest and take the same route you took to reach the brook, turning right at both forks. On your right you'll see the ruins of a house. Take a picture of the structure and its walls.
As usual, be sure to equip the infrared lens. The woods are dark, so you'll need the exposure and aperture all the way open at 1/30" and 3.5, respectively. Set the focus to 20 and take the shot when you have the framing right. The Lady will be easiest to see in the developed photo if you raise the camera's height while framing.
Shrine
Across the bridge in the middle of the woods there is a small stone shrine - you may remember it had its candles lit when you went into the woods at night. The bridge is the only way to reach the lake, so you'll have to pass by here eventually.
Center your shot on the shrine and attach the infrared lens. Keep the exposure at 1/30" and the aperture at 3.5, as with the last photo, but bring the focus down to 10. If you want to get the best shot possible of the White Lady, aim to the right of the shrine.
Tryst
Before going to the cemetery, return to the cross where you found the first photo of the White Lady. Near the rundown building (the same place you leave the map for the partisans) you'll see another spot to take an infrared photo.
Attach the infrared lens and set a 1/48" exposure. Set the aperture to 3.5 and the focus to 20. You won't be able to develop the photo until Irene is no longer in the basement, however.
Bedroom Window
There is an apparition of the Lady just outside the window of Giulia's childhood bedroom - walk outside the house and take a left. You should be able to see it from the clothesline. If you're shooting at night, use the settings in the image above.
During the day, a focus between 10 and 20 will work as long as you have the aperture fully open at 3.5 and a mid-length exposure (we used 1/168").
