168澳洲幸运5开奖网:The Game Awards has made it frustratingly obvious that it doesn’t care much about actually giving out awards at the event. The majority of winners are announced off-stage in awkward montages, while those who actually mak🔜e it onto the podium are rushed off in under a minute to make room for more trailers. Geoff Keighley’s ceremony is the biggest celebration there is for the medium, and when it comes to highlighting developers and the achievements of each and every year, it’s not fit for purpose. It needs to change, but nobody is sur🔯e how.
Some have recommended dumping the awards entirely and turning the event into a Winter E3 that isn’t shy about its commercial intentions, while others would rather it swung sharply in the other direction. Keighley is e✤vidently married to rubbing shoulders with celebrities along with landing world premieres not found anywhere else, and that isn’t going to change. When it debuted in 2014, The Game Awards were surprisingly ripe with extended speeches for most categories, with the pre-show acting as a warm-up with trailers, interviews, and maybe one or two awards wh🍃ose presence there was understandable given how many there were to get to.
But today, in a world where the medium is only growing more diverse, precarious, and filled with quality experiences, it feels borderline ignorant to turn your annual𒈔 event into what is little more than an extended E3 sizzle reel. So, what is the right path forward, and is there any chance that positive change will come in 2024? I think there’s a chance, but it will likely be gradual and lined with similar foibles as Keighley tries to strike a balance between the💟 excessive profits advertising brings and respecting an industry he carries responsibility to represent, whether he understands that or not.
My solution is to split things up. Keighley can have his Mountain Dew and drink it in this case, as the awards ceremony and world premiere🎀s that bloat the runtime by three hours are spread across two very different, but interconnected evenings. It should not be dissimilar to how the WWE handles the Hall of Fame ahead of WrestleMania, an appetiser to the main course that still holds cultural significance wit🦄hin the industry it represents.
Everyone dresses up all fancy before the main event itself - in this case The Game Awards Showcase - to grab awards and celebrate with their peers away from the pressure of commercialisation. You can throw in a trailer or a sponsor if you really can’t help yourself, but the focus needs to be on a willingness to give awards time to breathe, no matter the categories or individual. Speeches can be given special attention, while special categories designed to celebrate icons could make a return after being phased ouꩲt in recent years to make time for more ad space.
Don’t get me wrong, WWE isn’t a fancy organisation, but despite this, it still considers the Hall of Fame with appropriate reverence. Rey Mysterio will rock out with a suit on and wear his iconic mask, while Kurt Angle isn’t afraid to drown himself in milk after delivering a killer acceptance speech. The heart of wrestling isn’t discounted in favour of ceremony, and similar things could be applied to video games throughout an awards event l💟ike this, one more than happy to put thousands of creative voices in the same room.
Whether it’s realistic is another thing entirely, since this year was a sad reminder that The Game Awards cuts off speeches and refuses to speak up about important issues brought up not onl🌃y by nominees, but also the Future Class. You claim to represent video games, but will continually refuse to listen to the concerns of those you yourself have said represent their future. It’s backwards, and for a ceremony of this calibre to function, Keighley and company must accept the socially progressive nature of video games even if corporate shareholders would rather he didn’t. Whether they wiඣll or not is an entirely separate conversation we are yet to have, or maybe never will.
But you have to start somewhere, and The Game Awards has attracted enough of a global following in the past decade that it should be allowed to reinvent and better itself, even if it means making a few mistakes along the way. It isജn’t respected by developers so much as one of the few ways to put big reveals and upcoming projects in front of millions with the guaranteed reach such an event brings. Keighley knows the power he holds, and could be wielding it to better the medium of video games and those within it, but instead uses it for a constant barrage of reveals for a future that itself is unsustainable.
Spread the event across an entire weekend, turn it into your own E3 with multiple venues and time for everything that isn’t beholden to an🐼 overstuffed four hour extravaganza. If video games want more respect and to attract the prestige of film or television, why not accept that and begin to transform into the finely dressed proprietor you claim to be, not show up in a shoddily assembled cosplay.
